![]() According to Paul Leeming, with the GH5, V-log Lite yields two stops more dynamic range than Cinelike D, so I’ll have to give that a go when my GH5 arrives in a few weeks. the results of the experiment was that on the one hand at low velocities only. I gave it a shot, and while I didn’t use a card for white balance, and I made the mistake of underexposing my clips, skin tones and contrast are much more pleasing than what I’d been able to obtain with Standard photo style. The turbophoresis effect was most likely observed in a test rig with (Lut. Photograph made by Karin Gottschalk with Fujifilm X-T3 and Fujinon XF 56mm f/1.2 R then processed in Alien Skin Exposure X4 using Summer Blockbuster cinematic preset. But I have just read about another camera profile and input LUT. I've not tried the Leeming LUT One yet, but I did give HLG a trial run on my GH5 with the Nick Driftwood LUT (which converts Rec.2020 to Re, comparing results with CineD and other profiles using FCPX 10. Cinematographer/director Paul Leeming of Leeming LUT Pro and Visceral Psyche. I like the Leeming LUT One, using in combination with VisionColour LUTs for the filmic look. Leeming LUT Pro for Sony A Series, Sony LUTs (Combo Pack) Leeming LUT Pro is the world’s first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading. Then the other night, I happened upon Paul Leeming’s LUTs over at DVXuser, where I learned about exposing to the right, which basically is setting your zebras at 105%, closing the aperture or adjusting the ISO until the zebras just disappear and the histogram is still ETTR, resulting in the widest possible dynamic range and the least noise in the shadows. Ive been using CineD with the Leeming Lut One settings for CineD and their input LUT (which older Reddit grading posts seem to favour), and with James Millers settings and LUTs. ![]() ![]() And after a couple of months, I noticed a significant improvement in skin tones, but contrast was still unacceptably high. ![]() I was getting pretty good at custom white balancing by eye, which is a valuable skill to master, as it isn’t always possible to use an X-Rite Color Checker when you’re doing street photography, where lighting conditions are constantly changing from one shot to the next. Published by jonpais View all posts by jonpais AugLeeming LUT Pro, Leeming LUT One, Lumix GH5, Olympus 45mm f/1.2 PRO Three Popular Misconceptions about Panasonic Debunked Leeming LUT One Panasonic HLG to rec.709 Beta v. So when I purchased the G85 a few months ago, I decided to give Standard profile a chance, trying my best to manually white balance and get the image right in camera in order not to have to spend hours color correcting in post. For years, I’d been struggling to get good skin tones and dynamic range from my GH3 and GH4 cameras using the Natural photo style with contrast dialed all the way down and applying LUTs in post. 1 For the filmmakers among us, a workflow for converting Sony HLG BT.2020 to Rec.709 for greater dynamic range and improved color. ![]()
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